You have a very beautiful way with your words, and even in the pieces that cry anger or disgust they still have the allure almost of a predator, dangerous but still strangely enticing. I promised you some feedback, so here goes...
Rotten Apples:I was a little thrown by the reference to "tiny pebbles thrown from one tiny hand." Most of this piece seemed to wash anguish over virginity lost, the passage from childhood. There were tones of other things in there as well, but if I read my own confusion as a by-product of the that hinted at in the line "Just rotten memories of an ambush of confusion" it almost starts to come together. Of three possible interpretations of the piece, (virginity/rape/miscarriage), I kept coming back to the tiny pebbles and the tiny hand. Ghostly retribution from the lost baby. Since a lot of your work seems very deliberate, I can't throw that line out as frippery.
Locked Windows Open Chasms:I liked this piece a lot. It brought to me feelings similar to those behind one of my own pieces.
The intimacy in it is very well drawn, and the allusions to history repeating and the act happening inside this oblivious cocoon, some happy secret place away from the hurlyburly of the world outside and all the stresses and trials there...
Favourite stanza(s): Ethereal whispers forgotten, begin screeching monitions/Nymphs aplenty gather, to announce ostracisms/Conscience places a mandate to part this rebellion/To no avail, to no avail.
"We shouldn't, we shouldn't" and yet they do. The chorus of inner mind's guilt giving way to the inevitable.
And the final closing stanza, pragmatic and obvious, that despite their ardour and intent, all things pass and move on.
Nepenthe: Vaporour & Damned Be Our ChoicesThis seems to follow quite handily from
Locked Windows in a way. Read as such, the embrace of forgetful sleep and the thrashing of guilt and justification in that quiet time seems all the more poignant. A sharp vignette.
What's In a Bed?I liked this little ode. But now I'm confused... I thought 90% of pleasing a woman was headwork. The other 10% is key though, I guess
Of Hopes & NeversAnother very well made vignette. This one crafted exceeding well. It feels like the long-obvious end to a relationship. It could also (so well formed as it is) be part of a novel taken out of context.
Time & DateNever a truer sentiment made.
Two Weeks Locked In Trepidation*clink* Raining a tirade in toast. Had I been the subject of such a toast, I don't believe I'd dare show my face again. Never more roundly have I read such a repudiation. And despite its subject, I have to say it's a joy to read out loud. For some reason I'm hearing a toast to GWBush... just me I'm sure. And as I'm reading your work again to make my comments fresh, I think the color of your phrasing is washing off on me... wordy is not the word. Anywho, onwards...
Stopping For A Glass of Madeira & Forlorn PillsIn a very short space you captured betrayal, failed suicide and hollow acceptance. The image of the psychatrist as Aladdin's uncle, peddling supposed happiness in bitter jagged pills... I kinda liked that o_O
Titleless... hope prevails and we try it anyway?
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I'm kinda out of time, but I'll come back with more later.